[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"sanity-h9hf9v-{\"slug\":\"sara-sallam-fuersorge-fotografie-neu-ordnen\"}":3},{"_createdAt":4,"_id":5,"_rev":6,"_translations":7,"_type":8,"_updatedAt":9,"content":10,"date":170,"exhibitions":173,"seo":502,"slug":513,"thumbnail":516,"title":512,"titleEn":588,"venue":589},"2026-06-09T12:30:02Z","05302fb0-177e-47cc-a42e-9bc0733441cc","B18k2Qgd9WjLuzv1THxDPF",[],"exhibition","2026-06-29T10:13:44Z",[11,96],{"_key":12,"_type":13,"language":14,"value":15},"B18k2Qgd9WjLuzv1THxEck","internationalizedArrayRichTextMediaValue","de",[16,40,48,66,85],{"_key":17,"_type":18,"children":19,"markDefs":34,"style":39},"b142e7cb3426","block",[20,25,30],{"_key":21,"_type":22,"marks":23,"text":24},"ea05290a44ca","span",[],"Wie können wir heute auf die gewaltsamen Praktiken der Kolonialzeit blicken? Wie lassen sich Wunden sichtbar machen – und ein Prozess der Heilung anstoßen? Die ägyptische Künstlerin Sara Sallam widmet sich diesen Fragen in neuen, eigens für das MK&G entwickelten Arbeiten. In der Ausstellung „Sara Sallam – Fürsorge. Fotografie neu ordnen“ setzt sie sich in drei Kapiteln mit der archäologischen und fotografischen Sammlung des MK&G sowie deren kolonialem Erbe auseinander. Im Rahmen der ",{"_key":26,"_type":22,"marks":27,"text":29},"068b80f73e64",[28],"2a0edb2d571c","9. Triennale der Photographie Hamburg 2026 „Alliance, Infinity, Love – in the Face of the Other“",{"_key":31,"_type":22,"marks":32,"text":33},"1dfadc639f47",[]," präsentiert das MK&G die Werke der jungen, in den Niederlanden lebenden Künstlerin erstmals in Deutschland.",[35],{"_key":28,"_type":36,"blank":37,"href":38,"linkType":36,"title":38},"linkExternal",true,"https:\u002F\u002F2026.phototriennale.de\u002F","normal",{"_key":41,"_type":18,"children":42,"markDefs":47,"style":39},"5e69eb4a251b",[43],{"_key":44,"_type":22,"marks":45,"text":46},"3a2c7aa23df7",[],"Sallams forschungsbasierte Praxis umfasst Fotografie, Video, Text, Archivinterventionen und Künstler*innenbücher. In poetischen Neuinterpretationen als multimediale Installationen, performative Erzählung und selbst gestalteten Publikationen entwickelt sie oftmals Gegenerzählungen zu historischen Narrativen aus kolonialen Kontexten, die dazu einladen, die Vergangenheit neu zu betrachten. In „Suturing Wounds“ (2024–heute) beispielsweise komponiert die Künstlerin Faksimiles fragmentierter koptischer Textilien aus der Antikensammlung des MK&G zu einer handgenähten Tunika und inszeniert diese in fotografischen Selbstportraits. Dem Akt des Ausgrabens und Fragmentierens setzt die Künstlerin das Zusammenfügen und Nähen entgegen – eine Geste des Widerstands und zugleich ein heilendes Ritual, mit dem sie ihren unbekannten Vorfahr*innen gedenkt.",[],{"_key":49,"_type":18,"children":50,"markDefs":64,"style":39},"2d47542fd8ad",[51,55,60],{"_key":52,"_type":22,"marks":53,"text":54},"8e290071c5b6",[],"Die Ausstellung findet im Rahmen der ",{"_key":56,"_type":22,"marks":57,"text":59},"3371f2d89a9a",[58],"7d26d952104c","9. Triennale der Photographie Hamburg 2026 mit dem Titel „Alliance, Infinity, Love – in the Face of the Other“",{"_key":61,"_type":22,"marks":62,"text":63},"8db1d3bbe7e7",[]," (5. Juni bis 22. September 2026) statt.",[65],{"_key":58,"_type":36,"blank":37,"href":38,"linkType":36,"title":38},{"_key":67,"_type":18,"children":68,"markDefs":82,"style":39},"3be12b9466c0",[69,73,78],{"_key":70,"_type":22,"marks":71,"text":72},"81ef149c3806",[],"Die Ausstellung wird gefördert durch den Ausstellungsfonds der Freien und Hansestadt Hamburg und den ",{"_key":74,"_type":22,"marks":75,"text":77},"ca034e5f9eee",[76],"c3c75ecb15f1","Mondriaan Fund",{"_key":79,"_type":22,"marks":80,"text":81},"be2a23ba7d1f",[],".",[83],{"_key":76,"_type":36,"blank":37,"href":84,"linkType":36,"title":84},"https:\u002F\u002Fwww.mondriaanfonds.nl\u002Fen\u002Fhomepage-2\u002F",{"_key":86,"_type":18,"children":87,"markDefs":93,"style":39},"fb00aef1c759",[88],{"_key":89,"_type":22,"marks":90,"text":92},"e6e6fde0cc71",[91],"c6036f910865","Mehr erfahren",[94],{"_key":91,"_type":36,"blank":37,"href":95,"linkType":36,"title":95},"https:\u002F\u002Fwww.mkg-hamburg.de\u002Fausstellungen\u002Fsara-sallam-fuersorge",{"_key":97,"_type":13,"language":98,"value":99},"B18k2Qgd9WjLuzv1THxEfB","en",[100,117,125,143,159],{"_key":101,"_type":18,"children":102,"markDefs":115,"style":39},"4e57f344ac18",[103,107,112],{"_key":104,"_type":22,"marks":105,"text":106},"bbc6d9d70eef",[],"How can we look at the violent practices of the colonial era today? How can we make wounds visible – in order to initiate a process of healing? The Egyptian artist Sara Sallam addresses these questions in the exhibition “Sara Sallam – Care. Reconsidering Photography” at the MK&G. With existing and new works created especially for the exhibition, she engages with the MK&G’s archaeological and photographic collection and its colonial legacy in three chapters. The MK&G is presenting the works of the young artist, who lives in the Netherlands, for the first time in Germany as part of the ",{"_key":108,"_type":22,"marks":109,"text":111},"7ccc7fc60ef5",[110],"2c68f3465248","9th Triennial of Photography Hamburg in 2026, which is dedicated to the theme “Alliance, Infinity, Love – in the Face of the Other”",{"_key":113,"_type":22,"marks":114,"text":81},"7883ad9d6b88",[],[116],{"_key":110,"_type":36,"blank":37,"href":38,"linkType":36,"title":38},{"_key":118,"_type":18,"children":119,"markDefs":124,"style":39},"09fe7e087b87",[120],{"_key":121,"_type":22,"marks":122,"text":123},"a141290a8a0b",[],"Sallam’s research-based practice, distinguished by poetic reimaginings, includes photography, moving images, writing, performative voice narration, archival interventions, and self-publishing artist books. Through her mixed-media installations and handmade publications, she proposes counter-narratives that challenge colonial histories and invite more compassionate encounters with the past. For the work “Suturing Wounds” (an ongoing series launched in 2024), for example, the artist is making facsimiles of fragmented Coptic textiles from the MK&G’s collection of antiquities and hand-stitching them into a tunic, which she wears in photographic self-portraits. Here, the acts of excavating and tearing artefacts from burial grounds is countered by the practices of assembling and sewing – a gesture of resistance and at the same time a healing ritual with which Sallam commemorates her unknown ancestors.",[],{"_key":126,"_type":18,"children":127,"markDefs":141,"style":39},"799bb595b3ee",[128,132,137],{"_key":129,"_type":22,"marks":130,"text":131},"88badbf64d3d",[],"The exhibition is taking place as part of the ",{"_key":133,"_type":22,"marks":134,"text":136},"661b4cd54358",[135],"300512b6a397","9th Triennial of Photography Hamburg in 2026, which is entitled “Alliance, Infinity, Love – in the Face of the Other”",{"_key":138,"_type":22,"marks":139,"text":140},"7540c6e988a7",[]," (5 June to 22 September 2026).",[142],{"_key":135,"_type":36,"blank":37,"href":38,"linkType":36,"title":38},{"_key":144,"_type":18,"children":145,"markDefs":157,"style":39},"58a25079482f",[146,150,154],{"_key":147,"_type":22,"marks":148,"text":149},"0f307e4c0ba8",[],"The exhibition is supported by the Exhibition Fund of the Free and Hanseatic City of Hamburg and the ",{"_key":151,"_type":22,"marks":152,"text":77},"71dc150b0fd8",[153],"e16692076c80",{"_key":155,"_type":22,"marks":156,"text":81},"8cd17216e19b",[],[158],{"_key":153,"_type":36,"blank":37,"href":84,"linkType":36,"title":84},{"_key":160,"_type":18,"children":161,"markDefs":167,"style":39},"92779625aa89",[162],{"_key":163,"_type":22,"marks":164,"text":166},"58d05b83813e",[165],"dc1b201fadc8","Learn more",[168],{"_key":165,"_type":36,"blank":37,"href":169,"linkType":36,"title":169},"https:\u002F\u002Fwww.mkg-hamburg.de\u002Fen\u002Fexhibitions\u002Fsara-sallam-care",{"end":171,"start":172},"2027-01-10","2026-06-05",{"headline":174,"items":179},[175,177],{"_key":98,"language":98,"value":176},"Exhibitions",{"_key":14,"language":14,"value":178},"Aktuelle Ausstellungen",[180,323],{"_createdAt":181,"_id":182,"_rev":6,"_type":8,"_updatedAt":9,"content":183,"date":251,"route":254,"slug":255,"thumbnail":256,"title":318,"titleEn":319,"venue":320},"2026-03-30T08:41:45Z","b0632b49-0bef-4496-9124-ea9e64f9485e",[184,213],{"_key":185,"_type":13,"language":14,"value":186},"B18k2Qgd9WjLuzv1THxErM",[187,195,203],{"_key":188,"_type":18,"children":189,"markDefs":194,"style":39},"75828a094c02",[190],{"_key":191,"_type":22,"marks":192,"text":193},"d57fbbb9d342",[],"Mit der Ausstellung „Foto: Hans Hansen“ widmet das MK&G einem der bedeutendsten Fotografen der Nachkriegszeit vom 17. April bis 1. November 2026 eine umfassende Werkschau. Gezeigt werden rund 220 ikonische Fotografien aus über sechs Jahrzehnten. In internationalen Kampagnen unter anderem für Lufthansa, Nikon, Volkswagen und Erco hat Hans Hansen die Produktfotografie seit den 1960er Jahren revolutioniert und das kollektive Bildgedächtnis ganzer Generationen geprägt. Ergänzt wird die Schau durch Arbeiten, die seine enge Zusammenarbeit mit Designer*innen wie Tapio Wirkkala sichtbar machen. Werkzeuge, Korrespondenzen, Skizzen, Archivmaterial und ausgewählte Objekte aus seiner Privatsammlung eröffnen darüber hinaus vertiefende Einblicke in seinen Arbeitsprozess. Mit der jüngsten Werkserie „Analog“ (2024) richtet Hansen den Blick zugleich auf die eigenen fotografischen Gestaltungsmittel in seiner unverwechselbaren sachlich-minimalistischen Bildsprache; eigens für die Ausstellung entsteht zudem eine neue Fotoserie.\n\nWährend sich die Welt außerhalb des Studios fortwährend verändert, herrscht im Studio eine konstante Ordnung: Alles hat seinen Platz. In seinen Stillleben reduziert Hans Hansen die Gegenstände auf das Wesentliche: Er ordnet, zerlegt und strukturiert Formen, Farben und Materialien. Seine Fotografien wirken zeitlos. Eines der bekanntesten Beispiele ist die Aufnahme eines in rund 7.000 Einzelteile zerlegten VW Golf (1988).",[],{"_key":196,"_type":18,"children":197,"markDefs":202,"style":39},"6d46b24af26b",[198],{"_key":199,"_type":22,"marks":200,"text":201},"449fe6c79a11",[],"Seine Arbeiten tragen eine unverkennbare Handschrift, indem sie den Blick mit radikaler Klarheit auf die alltägliche Dingwelt und Gestaltung lenken – unablässig sucht er dabei nach neuen Bildlösungen. Licht und Schatten, Komposition und Perspektive sind zentrale Parameter und elementare Mittel, mit denen er das Wesen der Fotografie stetig hinterfragt.",[],{"_key":204,"_type":18,"children":205,"markDefs":210,"style":39},"4f635fd096ba",[206],{"_key":207,"_type":22,"marks":208,"text":92},"e5fca4e13421",[209],"913fbab7381f",[211],{"_key":209,"_type":36,"blank":37,"href":212},"https:\u002F\u002Fwww.mkg-hamburg.de\u002Fausstellungen\u002Ffoto-hans-hansen",{"_key":214,"_type":13,"language":98,"value":215},"B18k2Qgd9WjLuzv1THxEtn",[216,224,232,240],{"_key":217,"_type":18,"children":218,"markDefs":223,"style":39},"f25170ff47ab",[219],{"_key":220,"_type":22,"marks":221,"text":222},"878b0cd6027f",[],"With the exhibition “Photo: Hans Hansen”, the MK&G is devoting a large-scale retrospective to one of the leading photographers in post-war Germany. From 17 April to 1 November 2026, viewers will be able to discover around 220 iconic photographs from a career spanning over six decades. In international ad campaigns for companies including Lufthansa, Nikon, Volkswagen and Erco, Hans Hansen revolutionised product photography starting in the 1960s with images that would shape the collective visual memory of entire generations. Complementing examples from these campaigns are images created in close collaboration with designers such as Tapio Wirkkala. Publications, sketches and archival material as well as selected objects from Hansen’s own private collection provide deeper insights into his world. His most recent series, “Analog” (2024), also highlights Hansen’s distinctive clean-cut and minimalist visual language.",[],{"_key":225,"_type":18,"children":226,"markDefs":231,"style":39},"56679dddb396",[227],{"_key":228,"_type":22,"marks":229,"text":230},"dadfaa35eeef",[],"While the world outside the photographer’s studio has been constantly changing over the past 60 years, inside, an unvarying order prevails: A place for everything and everything in its place. In his “still lifes”, Hansen reduces objects to their essence, arranging, breaking down and structuring their shapes, colours and materials. In his photos, they take on a timeless air. One of the best-known examples is the photograph of a Volkswagen Golf (1988) that has been dismantled into some 7,000 individual parts.",[],{"_key":233,"_type":18,"children":234,"markDefs":239,"style":39},"30ff89f40904",[235],{"_key":236,"_type":22,"marks":237,"text":238},"759c59032767",[],"Hansen’s works bear an unmistakable signature, focusing the gaze with radical clarity on the everyday world of things and design. At the same time, the photographer continually searches for new pictorial solutions. Light and shadow, composition and perspective are the central parameters and elementary means with which he calls into question the very nature of photography.",[],{"_key":241,"_type":18,"children":242,"markDefs":248,"style":39},"2136637298c6",[243],{"_key":244,"_type":22,"marks":245,"text":247},"3222acc2d6ce",[246],"d6bbb4f92a4b","More about the exhibition",[249],{"_key":246,"_type":36,"blank":37,"href":250},"https:\u002F\u002Fwww.mkg-hamburg.de\u002Fen\u002Fexhibitions\u002Fphoto-hans-hansen",{"end":252,"start":253},"2026-11-01","2026-04-17","haeuser-slug-ausstellungen-exhibitionslug","foto-hans-hansen",{"_type":257,"alt":258,"asset":259},"image","Ein Objektiv einer Fotokamera.",{"_createdAt":260,"_id":261,"_rev":262,"_type":263,"_updatedAt":264,"altText":258,"assetId":265,"creditLine":266,"description":267,"extension":268,"metadata":269,"mimeType":310,"opt":311,"originalFilename":313,"path":314,"sha1hash":265,"size":315,"title":266,"uploadId":316,"url":317},"2026-03-30T08:41:01Z","image-511fbcaa52e2b743805be55a5be0b3968fe50c68-2750x3543-jpg","CgadNFQCI8okHl5PY4OHTl","sanity.imageAsset","2026-03-30T08:41:30Z","511fbcaa52e2b743805be55a5be0b3968fe50c68",null,"Hans Hansen, Detail aus o. 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Wollen Kinder sich lieber bewegen, schaukeln und spielen, als still zu sitzen? Aus Sicht von Kindern – braucht es überhaupt einen Stuhl? Im Mittelpunkt der Ausstellung „Minimöbel: Stühle für Kinder“ im MK&G steht das Ausprobieren und Spielen: Besucher*innen sind eingeladen, diese Fragen spielerisch und kindzentriert zu erkunden. Eine Auswahl von über 130 historischen und aktuellen Kinderstühlen aus der Privatsammlung Reinke sowie der Sammlung des MK&G zeigt die gestalterische Vielfalt kindgerechter Möbel über zwei Jahrhunderte: von volkstümlichen Hochstühlen und Modellen des frühen 19. Jahrhunderts wie der „Stabelle“ über Jugendstil- und Bauhaus-Objekte sowie Popdesign der 1960er-Jahre bis heute. Ikonische Entwürfe treffen dabei auf weniger bekannte Designobjekte – das Spektrum reicht von Miniaturen klassischer Erwachsenenstühle wie zum Beispiel des „Panton Junior“ von Verner Panton bis zu Stühlen mit fixierender Funktion sowie pädagogische Spiel- und Reformmöbel, die die motorische, soziale und kreative Entwicklung von Kindern unterstützen.",[],{"_key":339,"_type":18,"children":340,"markDefs":345,"style":39},"ffaa37792ede",[341],{"_key":342,"_type":22,"marks":343,"text":344},"fb11b390dc18",[],"Der Fokus der Ausstellung liegt auf dem Mitmachen – dazu werden die Besucher*innen an interaktiven Stationen eingeladen: Auf mobilen Gefährten der „Wirbel Wichtel“ können Kinder bunte Spuren malen und so wird die Verbindung von Möbel, Bewegung und Spiel sichtbar gemacht. Mit einem überdimensionalen Steckspiel lassen sich unterschiedliche Sitzhöhen ausprobieren – und dabei spielerisch verschiedene Körperhaltungen entdecken. An einer Stempel- und Malstation können große und kleine Designer*innen ihre individuellen Stuhlentwürfe gestalten und mit den vier Figuren der Ausstellung – Dös, Wackel, Hotzl und Pling – kreativ werden. Ergänzend laden ausgewählte Sitzmöbel, darunter ein Armlehn- und ein Spielstuhl, dazu ein, verschiedene Formen des Sitzens unmittelbar zu erproben.",[],{"_key":347,"_type":18,"children":348,"markDefs":370,"style":39},"3abf9190f8a1",[349,353,358,362,367],{"_key":350,"_type":22,"marks":351,"text":352},"c5a085af7ee7",[],"Die Ausstellungsgestaltung wurde von ",{"_key":354,"_type":22,"marks":355,"text":357},"4af632f156d2",[356],"919ea8f2b82a","Max Guderian",{"_key":359,"_type":22,"marks":360,"text":361},"68b62a67bdd1",[]," entwickelt, die Ausstellungsgrafik stammt von ",{"_key":363,"_type":22,"marks":364,"text":366},"600474955772",[365],"f26174fd2711","Larissa Mantel",{"_key":368,"_type":22,"marks":369,"text":81},"86f24e753f4d",[],[371,373],{"_key":365,"_type":36,"blank":37,"href":372},"https:\u002F\u002Fillu.larissamantel.com\u002F",{"_key":356,"_type":36,"blank":37,"href":374},"https:\u002F\u002Fmaxguderian.com\u002F",{"_key":376,"_type":18,"children":377,"markDefs":382,"style":39},"5061a71edde1",[378],{"_key":379,"_type":22,"marks":380,"text":381},"fdc6bbb450d5",[],"Die Ausstellung wird unterstützt vom Ausstellungsfonds der Freien und Hansestadt Hamburg und der Hans Brökel Stiftung für Wissenschaft und Kultur.",[],{"_key":384,"_type":18,"children":385,"markDefs":390,"style":39},"f6161dc78009",[386],{"_key":387,"_type":22,"marks":388,"text":92},"5a0d0a3ff0c6",[389],"f6f64a926a92",[391],{"_key":389,"_type":36,"blank":37,"href":392},"https:\u002F\u002Fwww.mkg-hamburg.de\u002Fausstellungen\u002Fminim%C3%B6bel-st%C3%BChle-f%C3%BCr-kinder",{"_key":394,"_type":13,"language":98,"value":395},"B18k2Qgd9WjLuzv1THxG4r",[396,404,412,437,445],{"_key":397,"_type":18,"children":398,"markDefs":403,"style":39},"1cd145207ed2",[399],{"_key":400,"_type":22,"marks":401,"text":402},"ba073e8f4f75",[],"What functions can a chair have? 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Iconic chairs meet up here with lesser-known designer objects covering a broad spectrum, including miniatures of classic adult chairs such as the “Panton Junior” by Verner Panton, chairs in which the child can be fixed in place, as well as pedagogical play and reform furniture that supports children’s motor, social and creative development.",[],{"_key":405,"_type":18,"children":406,"markDefs":411,"style":39},"6f975ab62016",[407],{"_key":408,"_type":22,"marks":409,"text":410},"e6a0330577d8",[],"The exhibition encourages visitor participation at interactive stations: children can, for example, climb onto rolling “Wirbel Wichtel” chairs and paint colourful traces of their trajectories, making visible the connection between furniture, movement and play. With an oversized peg-board game, they can try out different seat heights – and playfully discover varied postures. 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