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Seine Arbeiten erzählen von der Willkür von kolonialen Besitzansprüchen, wie diese gesellschaftlich hervorgebracht und stabilisiert werden und noch heute in Institutionen eingebettet sind sowie deren kolonialer Geschichte. Für den Kunstverein entwickelt Vijan eine raumgreifende Installation, welche die Architektur des Erdgeschosses transformiert. Die Ausstellung erkundet die Möglichkeit und Planung eines Gegenraubs (counterloot) sowie den Zusammenhang von Raum, Hierarchie und Macht.",[],"normal",{"_key":28,"_type":13,"language":29,"value":30},"kIBrRX1AqBVTsyd9yLWYhu","en",[31],{"_key":32,"_type":18,"children":33,"markDefs":38,"style":26},"f714227a1df7",[34],{"_key":35,"_type":22,"marks":36,"text":37},"23da7abe91490",[],"The starting point of Vijan's artistic practice is his own history, which he understands not as an individual fate, but as a politically, bureaucratically and socially formed constellation. 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