[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"sanity-h9hf9v-{\"slug\":\"in-her-hands-bildhauerinnen-des-surrealismus\"}":3},{"_createdAt":4,"_id":5,"_rev":6,"_translations":7,"_type":8,"_updatedAt":9,"content":10,"date":134,"exhibitions":137,"seo":357,"slug":366,"thumbnail":369,"title":29,"titleEn":404,"venue":405},"2024-12-10T14:40:12Z","07ed0a09-d3be-4ff5-886e-948a695c7f2b","B18k2Qgd9WjLuzv1THxDPF",[],"exhibition","2026-06-29T10:13:44Z",[11,75],{"_key":12,"_type":13,"language":14,"value":15},"B18k2Qgd9WjLuzv1THxE4e","internationalizedArrayRichTextMediaValue","de",[16,36,44,59,67],{"_key":17,"_type":18,"children":19,"markDefs":34,"style":35},"010758b2780b","block",[20,25,30],{"_key":21,"_type":22,"marks":23,"text":24},"48066e4948470","span",[],"Die Ausstellung ",{"_key":26,"_type":22,"marks":27,"text":29},"48066e4948471",[28],"em","In Her Hands. Bildhauerinnen des Surrealismus",{"_key":31,"_type":22,"marks":32,"text":33},"48066e4948472",[]," feiert die Wiederentdeckung dreier außergewöhnlicher Künstlerinnen der Moderne: Sonja Ferlov Mancoba, Maria Martins und Isabelle Waldberg waren – jede auf ihre Weise – Protagonistinnen der internationalen Kunstbewegung des Surrealismus zwischen 1930 und 1960. In der Ausstellung werden erstmals Skulpturen dieser drei Bildhauerinnen einander gegenübergestellt und in ihrer raumgreifenden Präsenz erlebbar gemacht.",[],"normal",{"_key":37,"_type":18,"children":38,"markDefs":43,"style":35},"ba2776679c81",[39],{"_key":40,"_type":22,"marks":41,"text":42},"02fb182e3c7c0",[],"Zwischen Paris, Kopenhagen und New York waren Mancoba, Martins und Waldberg Teil der internationalen Kunstszene und entwickelten die surrealistische Bildsprache innovativ, unkonventionell und entschieden weiter. Die charakteristische organische Formensprache der Dänin Sonja Ferlov Mancoba (1911–1984) war stark beeinflusst von außereuropäischer Kunst, aber auch von der Künstler:innengruppe CoBrA. Intuitiv schuf sie semiabstrakte Wesen, Kriegerfiguren und Masken aus Ton und Gips. Die brasilianische Bildhauerin Maria Martins (1894–1973) verwob in ihren organisch-figuralen Objekten die Mythen Amazoniens mit der Formensprache der Moderne. Isabelle Waldbergs (1911–1990) facettenreiches Œuvre reicht von filigranen linearen Holzstrukturen über abstrakte Bronzeskulpturen bis hin zu Collagen. Die drei Bildhauerinnen waren Teil der internationalen Avantgarde im Paris der Jahre vor dem Zweiten Weltkrieg, Martins und Waldberg außerdem zentrale Figuren im New York der Kriegsjahre. Sie gehörten zum Kreis um Marcel Duchamp, Alberto Giacometti, Piet Mondrian und Peggy Guggenheim.",[],{"_key":45,"_type":18,"children":46,"markDefs":58,"style":35},"8900ca906ef7",[47,50,54],{"_key":48,"_type":22,"marks":49,"text":24},"c47d270cf0c60",[],{"_key":51,"_type":22,"marks":52,"text":53},"c47d270cf0c61",[28],"In Her Hands",{"_key":55,"_type":22,"marks":56,"text":57},"c47d270cf0c62",[]," setzt erstmals die künstlerischen Anliegen und die oft unkonventionelle Formensprache der drei Bildhauerinnen in Beziehung zueinander. Dabei rückt sie das Material in den Mittelpunkt, das für alle drei im kreativen Prozess von großer Bedeutung war. Ihre intensive sinnliche wie geistige Auseinandersetzung mit den Werkstoffen spiegelt sich in der Gestaltung von Linien, Volumina, Räumen und Ausdrucksgesten ihrer Objekte wider. Die skulpturalen Ensembles lassen die Betrachtenden unmittelbar in die Bildwelten der Künstlerinnen eintauchen, in denen überraschende Verbindungen zur Ästhetik heutiger Formen in Popkultur, Design und Film zu entdecken sind.",[],{"_key":60,"_type":18,"children":61,"markDefs":66,"style":35},"16882530dc62",[62],{"_key":63,"_type":22,"marks":64,"text":65},"c045415494fd0",[],"Darüber hinaus orientiert sich die Ausstellungsgestaltung der Schau an der Inszenierungsweise, welche auch zu Lebzeiten der Künstlerinnen für Ausstellungen ihrer Werke gewählt wurden: Zum ersten Mal eröffnet sich den Besucher:innen ein ganz neues Raumerlebnis im Bucerius Kunst Forum, da die Fenster unverbaut bleiben, sodass Tageslicht den Raum durchflutet; statt Wände strukturieren Vorhänge die Präsentation.",[],{"_key":68,"_type":18,"children":69,"markDefs":74,"style":35},"d553570c6724",[70],{"_key":71,"_type":22,"marks":72,"text":73},"ba7b6e10eb6b0",[],"Die zahlreichen innovativen Malerinnen des anfänglich von Männern dominierten Surrealismus sind erst in jüngster Zeit in ihrer Bedeutung erkannt und ausgestellt worden. Das Bucerius Kunst Forum präsentiert nun drei originäre weibliche Positionen der surrealistischen Bildhauerei.",[],{"_key":76,"_type":13,"language":77,"value":78},"B18k2Qgd9WjLuzv1THxE75","en",[79,95,110,118,126],{"_key":80,"_type":18,"children":81,"markDefs":94,"style":35},"032c926b23fc",[82,86,90],{"_key":83,"_type":22,"marks":84,"text":85},"49d12f3617760",[],"The exhibition ",{"_key":87,"_type":22,"marks":88,"text":89},"49d12f3617761",[28],"In Her Hands. Women Sculptors of Surrealism",{"_key":91,"_type":22,"marks":92,"text":93},"49d12f3617762",[]," celebrates the rediscovery of three extraordinary 20th century artists: Sonja Ferlov Mancoba, Maria Martins, and Isabelle Waldberg were, each in their own way, key figures in the international Surrealist art movement between 1930 and 1960. For the first time, this exhibition brings together sculptures by these three artists, presenting them in dialogue with one another and showcasing their expansive spatial presence. ",[],{"_key":96,"_type":18,"children":97,"markDefs":109,"style":35},"1eb6b2df8dba",[98,102,105],{"_key":99,"_type":22,"marks":100,"text":101},"87037042e5b50",[],"The three female artists exhibited in ",{"_key":103,"_type":22,"marks":104,"text":53},"87037042e5b51",[28],{"_key":106,"_type":22,"marks":107,"text":108},"87037042e5b52",[]," were part of the international art scene from Paris and Copenhagen to New York and São Paulo and developed the surrealist visual language innovatively, unconventionally and resolutely. The characteristic organic formal language of the Danish artist Sonja Ferlov Mancoba (1911-1984) was strongly influenced by non-European art, but also by the CoBrA group of artists. She intuitively created semi-abstract creatures, warrior figures and masks in clay and plaster, later also in bronze. The Brazilian sculptor Maria Martins (1894-1973) interwove the myths of Amazonia with the formal language of modernism in her organic, figurative objects. Isabelle Waldberg's (1911-1990) multifaceted oeuvre ranges from filigree linear wooden structures to abstract bronze sculptures and collages. The three sculptors were part of the international avant-garde in Paris before the Second World War; Martins and Waldberg were also central figures in New York during the war years. They belonged to the circle around Marcel Duchamp, Alberto Giacometti, Piet Mondrian and Peggy Guggenheim. ",[],{"_key":111,"_type":18,"children":112,"markDefs":117,"style":35},"a3357eae3b54",[113],{"_key":114,"_type":22,"marks":115,"text":116},"46481b069d3f0",[],"For the first time, the exhibition places the artistic concerns and the often unconventional formal language of the three sculptors in relation to each other. At the same time, it focuses on the material, which was of great importance to all three in the creative process. Their intensive, sensual and intellectual exploration of the materials is reflected in the design of the lines, volumes, spaces and expressive gestures of their objects. The sculptural ensembles allow viewers to immerse themselves directly in the visual worlds of the artists, in which surprising connections to the aesthetics of contemporary forms in pop culture, design and film can be discovered.",[],{"_key":119,"_type":18,"children":120,"markDefs":125,"style":35},"749a3befcaba",[121],{"_key":122,"_type":22,"marks":123,"text":124},"85ee1ce855470",[],"In addition, the exhibition design draws inspiration from the staging methods used during the artists' lifetimes to display their works. For the first time, visitors to the Bucerius Kunst Forum can experience a completely new sense of space, as the windows are left unobstructed, allowing daylight to flood the room. Instead of walls, curtains are used to structure the presentation.",[],{"_key":127,"_type":18,"children":128,"markDefs":133,"style":35},"b4ce41dc89af",[129],{"_key":130,"_type":22,"marks":131,"text":132},"1a474b8269730",[],"The numerous innovative female painters of Surrealism, a movement initially dominated by men, have only recently been recognised and exhibited for their significance. The Bucerius Kunst Forum now showcases three original female perspectives in Surrealist sculpture.",[],{"end":135,"start":136},"2025-06-01","2025-02-21",{"headline":138,"items":143},[139,141],{"_key":77,"language":77,"value":140},"Exhibitions",{"_key":14,"language":14,"value":142},"Aktuelle Ausstellungen",[144],{"_createdAt":145,"_id":146,"_rev":147,"_system":148,"_type":8,"_updatedAt":151,"content":152,"date":291,"route":294,"slug":295,"thumbnail":296,"title":166,"titleEn":227,"venue":350},"2026-09-14T13:22:45Z","6224efd8-9c73-423f-b00b-558288902588","1RK6SwI6560RFhcORXYZnp",{"base":149},{"id":146,"rev":150},"Aus2Mb6VBF2lWw662iqnp5","2026-09-17T15:44:03Z",[153,214],{"_key":154,"_type":13,"language":14,"value":155},"576f2d3201a61b55ca3dc66649e018e6",[156,172,188,196,204],{"_key":157,"_type":18,"children":158,"markDefs":171,"style":35},"a4848d4977bb",[159,163,167],{"_key":160,"_type":22,"marks":161,"text":162},"25d2fe97ea20",[],"Das Bucerius Kunst Forum zeigt mit der Ausstellung „",{"_key":164,"_type":22,"marks":165,"text":166},"a2681dab74f4",[28],"Von Monet bis Picasso. Jüdische Kunstsammler:innen in Deutschland",{"_key":168,"_type":22,"marks":169,"text":170},"351af458bf6d",[],"“ 15 bedeutende Sammlungen, die deutsche Jüdinnen und Juden vor 1945 aufgebaut und so eine wegweisende Rolle in der Etablierung, Förderung und Verteidigung moderner Kunst eingenommen haben. Durch die Schoah und Gräuel des Nationalsozialismus geriet ihr maßgeblicher Beitrag an unserem heutigen Kunstkanon in Vergessenheit. Die Schau widmet sich den Lebensgeschichten dieser 15 Familien, Paare und Einzelpersonen, darunter Familie Hirschland, Paul und Clothilde Schüler, Max Meirowsky, Rosa Schapire und Margarete Mauthner. ",[],{"_key":173,"_type":18,"children":174,"markDefs":187,"style":35},"f430da976343",[175,179,183],{"_key":176,"_type":22,"marks":177,"text":178},"bcc2c453e700",[],"Rund 100 Meisterwerke – vom Realismus und Impressionismus über Expressionismus bis zur Neuen Sachlichkeit – werden erstmals wieder an einem Ort zusammengeführt. Erleben Sie Werke von Paul Cezanne, Lovis Corinth, Ferdinand Hodler, Ernst Ludwig Kirchner, Franz Marc, Paula Modersohn-Becker, Max Pechstein, Karl Schmidt-Rottluff, Milly Steeger und vielen anderen im Rahmen der bewegenden Geschichten ihrer früheren Besitzer:innen.\n\nDie Ausstellung ",{"_key":180,"_type":22,"marks":181,"text":182},"98ee235d4ee3",[28],"„Von Monet bis Picasso. Jüdische Kunstsammler:innen in Deutschland",{"_key":184,"_type":22,"marks":185,"text":186},"f6bc5eaef038",[],"“ steht unter der Schirmherrschaft von Bundespräsident Frank-Walter Steinmeier.\n\nGefördert durch die Kulturstiftung des Bundes. Gefördert von dem Beauftragten der Bundesregierung für Kultur und Medien.",[],{"_key":189,"_type":18,"children":190,"markDefs":195,"style":35},"21cd8daf80bd",[191],{"_key":192,"_type":22,"marks":193,"text":194},"43cd795ac919",[],"Gefördert von der Alfred Landecker Foundation, der Hapag-Lloyd Stiftung, dem Bucerius Kunst Club, der Berthold Leibinger Stiftung, Bethmann HAL, der M.M. Warburg & Co Bank und dem Ursula Garbe Stiftungsfonds für Kunst und Kultur in Hamburg. Das Vermittlungsprogramm wird gefördert von gemeinnützige Hertie Stiftung.",[],{"_key":197,"_type":18,"children":198,"markDefs":203,"style":35},"33d52f14d452",[199],{"_key":200,"_type":22,"marks":201,"text":202},"d5665088a3fc",[],"Medienpartner ist art – DAS KUNSTMAGAZIN.",[],{"_key":205,"_type":206,"blank":207,"options":208,"text":212,"url":213},"d86ef1ccae11","module.button",true,{"align":209,"fullWidth":210,"size":211},"text-left",false,"S","Mehr Informationen","https:\u002F\u002Fwww.buceriuskunstforum.de\u002Fausstellungen\u002Fvon-monet-bis-picasso-juedische-kunstsammlerinnen-in-deutschland",{"_key":215,"_type":13,"language":77,"value":216},"d52c3706c4c505669a98e9a3440bb703",[217,233,241,249,264,272,280,286],{"_key":218,"_type":18,"children":219,"markDefs":232,"style":35},"1a861f674c3b",[220,224,228],{"_key":221,"_type":22,"marks":222,"text":223},"9ff0804b1afe",[],"With the exhibition “",{"_key":225,"_type":22,"marks":226,"text":227},"989423733e59",[28],"From Monet to Picasso. Jewish Art Collectors in Germany",{"_key":229,"_type":22,"marks":230,"text":231},"15b7c3f71cd9",[],"“, the Bucerius Kunst Forum reconstructs fifteen important art collections assembled by German Jews before 1945. The show honours and commemorates the decisive role of Jewish art collectors in the establishment, promotion and defence of modern art since the turn of the twentieth century. Fifteen families, couples and individuals are highlighted as representative examples of this collecting activity, including the Hirschland family, Clothilde and Paul Schüler, Max Meirowsky, Rosa Schapire and Margarete Mauthner. Their substantial contribution to today’s art canon was, in the wake of the Shoah and the atrocities of National Socialism, largely forgotten.",[],{"_key":234,"_type":18,"children":235,"markDefs":240,"style":35},"dba1dc2747e1",[236],{"_key":237,"_type":22,"marks":238,"text":239},"cb3cab7fe21e",[],"The show brings together many of their masterpieces, now scattered around the world. Around 100 works are presented, spanning from Realism and Impressionism through to Expressionism and New Objectivity, by artists such as Paul Cezanne, Lovis Corinth, Ferdinand Hodler, Ernst Ludwig Kirchner, Franz Marc, Paula Modersohn-Becker, Max Pechstein, Karl Schmidt-Rottluff, Milly Steeger and many others, presented alongside the moving stories of their former owners.",[],{"_key":242,"_type":18,"children":243,"markDefs":248,"style":35},"983034a9a698",[244],{"_key":245,"_type":22,"marks":246,"text":247},"80ff90e53b09",[],"",[],{"_key":250,"_type":18,"children":251,"markDefs":263,"style":35},"c686a9f565b9",[252,256,259],{"_key":253,"_type":22,"marks":254,"text":255},"050521d237ba",[],"The exhibition “",{"_key":257,"_type":22,"marks":258,"text":227},"d319eef788ee",[28],{"_key":260,"_type":22,"marks":261,"text":262},"e343e321bdd0",[],"“ is held under the patronage of Federal President Frank-Walter Steinmeier. ",[],{"_key":265,"_type":18,"children":266,"markDefs":271,"style":35},"a9ad9f5fcb0c",[267],{"_key":268,"_type":22,"marks":269,"text":270},"9612d5b80e5b",[],"Funded by the Kulturstiftung des Bundes (German Federal Cultural Foundation). Funded by the Beauftragter der Bundesregierung für Kultur und Medien (Federal Government Commissioner for Culture and the Media).",[],{"_key":273,"_type":18,"children":274,"markDefs":279,"style":35},"dcf2d76e5e8a",[275],{"_key":276,"_type":22,"marks":277,"text":278},"5f23f380d665",[],"Sponsored by Alfred Landecker Foundation, Hapag-Lloyd Stiftung, Bucerius Kunst Club, Berthold Leibinger Stiftung, Bethmann HAL, M.M. Warburg & Co Bank and Ursula Garbe Stiftungsfonds für Kunst und Kultur in Hamburg.\nThe educational programme for the exhibition is funded by gemeinnützige Hertie Stiftung.",[],{"_key":197,"_type":18,"children":281,"markDefs":285,"style":35},[282],{"_key":200,"_type":22,"marks":283,"text":284},[],"Media partner is art – DAS KUNSTMAGAZIN.",[],{"_key":287,"_type":206,"blank":207,"options":288,"text":289,"url":290},"ee446ae38db1",{"align":209,"fullWidth":210,"size":211},"More information","https:\u002F\u002Fwww.buceriuskunstforum.de\u002Fen\u002Fexhibitions\u002Ffrom-monet-to-picasso-jewish-art-collectors-in-germany",{"end":292,"start":293},"2027-03-29","2026-09-11","haeuser-slug-ausstellungen-exhibitionslug","von-monet-bis-picasso-juedische-kunstsammler-innen-in-deutschland",{"_type":297,"alt":298,"asset":299},"image","Wladimir von Zabotin, Sonntagmorgen in Danzig, o. 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