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In her work, she uses sound as a starting point for storytelling. Her multimedia productions deal with the relationship between perception, the body and technology. The artist examines the construction of normativity in capitalist societies and its effects on mental health.",[],{"_key":283,"_type":18,"children":284,"markDefs":304,"style":26},"c18ddab1a33e",[285,289,293,297,300],{"_key":286,"_type":22,"marks":287,"text":288},"e3fdc5b6b26c0",[],"For her first institutional solo exhibition Lila-Zoé Krauß transforms the hall of the Kunsthaus into an immersive stage of sound, light and image. In her new science fiction music and opera project ",{"_key":290,"_type":22,"marks":291,"text":292},"e3fdc5b6b26c1",[37],"[After her Destruction],",{"_key":294,"_type":22,"marks":295,"text":296},"e3fdc5b6b26c2",[]," she questions conventional value systems and perceptions of reality and negotiates notions of otherness, femininity and subjectivity. The narrative centres on the protagonist Girl. 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