[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"sanity-h9hf9v-{\"slug\":\"william-blakes-universum\"}":3},{"_createdAt":4,"_id":5,"_rev":6,"_translations":7,"_type":8,"_updatedAt":9,"content":10,"date":135,"exhibitions":138,"seo":435,"slug":445,"thumbnail":448,"title":444,"venue":490},"2024-06-17T10:24:46Z","6977e167-4889-43e0-9119-c4aaf837f957","kIBrRX1AqBVTsyd9yLWXzs",[],"exhibition","2026-06-29T10:13:44Z",[11,96],{"_key":12,"_type":13,"language":14,"value":15},"kIBrRX1AqBVTsyd9yLWYLt","internationalizedArrayRichTextMediaValue","de",[16,27,35,43,51,59,67,75,83],{"_key":17,"_type":18,"children":19,"markDefs":25,"style":26},"7ef61034a608","block",[20],{"_key":21,"_type":22,"marks":23,"text":24},"ac1c6f8253cf0","span",[],"Im Sommer 2024 präsentiert die Hamburger Kunsthalle das erstaunliche Œuvre des englischen Zeichners und Grafikers William Blake (1757–1827), das dieser um 1800 vor dem Hintergrund von Revolution und Krieg in Europa, Sklaverei in den europäischen Kolonien und der Unterdrückung im heimischen Großbritannien schuf. Blakes Arbeiten verknüpfen seine Kritik an der damaligen Welt mit einer Vision von universeller Erlösung. Außerhalb Englands ist sein Werk noch immer wenig bekannt – seine mystischen Bilderwelten und seine (düsteren) literarischen Arbeiten finden bis heute einen Widerhall in der Popkultur. Die Ausstellung wird erstmals sämtliche Blake-Bestände des Fitzwilliam Museum in Cambridge und das Vermächtnis des bekannten Blake Sammlers Geoffrey Keynes öffentlich präsentieren. Die Schau zeigt Blake als einen wahrhaften Europäer, obwohl er Großbritannien niemals verließ, und setzt sein Werk in Bezug zu ausgewählten Arbeiten europäischer Zeitgenossen, sodass insgesamt rund 120 Werke zu sehen sein werden.",[],"normal",{"_key":28,"_type":18,"children":29,"markDefs":34,"style":26},"d96745f86c66",[30],{"_key":31,"_type":22,"marks":32,"text":33},"42af5ac936fd0",[],"Illustriert werden die entscheidenden Aspekte der Kunst Blakes von seiner klassischen Ausbildung an der Royal Academy of Arts in London über seine Beschäftigung mit der Kunst der Antike und der Renaissance bis hin zu seiner Begeisterung für die mystischen Bildwelten der frühen Neuzeit, z. B. des deutschen Philosophen Jakob Böhme (1575-1674). Die Ausstellung vergleicht Blakes Werk zudem mit anderen Künstlern, die sich im Angesicht vernichtender politischer Krisen der bildenden Kunst zuwandten, um die Welt neu zu errichten: Der Romantiker Philipp Otto Runge (1777–1810) strebte ebenfalls an, die geistige Erneuerung des Menschen in künstlerisch neuartiger Form sichtbar zu machen. Blakes Darstellungen der Reise der Seele vom Gefallensein bis zur Erlösung werden zudem mit Werken von Zeitgenossen wie seinem jüngeren Landsmann Samuel Palmer (1805-1881) und Caspar David Friedrich (1774-1840) in Bezug gesetzt, um so die künstlerischen Spannungen zwischen individueller, nationaler und universeller Befreiung um 1800 aufzuzeigen.",[],{"_key":36,"_type":18,"children":37,"markDefs":42,"style":26},"e15caa414ee3",[38],{"_key":39,"_type":22,"marks":40,"text":41},"ee0ec9bd821b0",[],"Die Schau ist eine Kooperation der Hamburger Kunsthalle mit dem Fitzwilliam Museum, University of Cambridge. Sie knüpft an den Zyklus »Kunst um 1800« des ehemaligen Kunsthallendirektors Werner Hofmann an, in dem Blakes Werk 1975 erstmals in Deutschland präsentiert wurde.",[],{"_key":44,"_type":18,"children":45,"markDefs":50,"style":26},"883dbeab6133",[46],{"_key":47,"_type":22,"marks":48,"text":49},"d2473a4350030",[],"In Hamburg war schon 1811 der erste biographische Beitrag zu William Blake in der vonFriedrich Perthes herausgegebenen kritischen Zeitschrift »Vaterländisches Museum«, verfasst von dem englischen Journalisten Henry Crabb Robinson, erschienen. Die Hansestadt kann sich mit der aktuellen Ausstellung somit mit Recht als ein Zentrum der Präsentation des Werkes von William Blake auf dem\nKontinent bezeichnen.",[],{"_key":52,"_type":18,"children":53,"markDefs":58,"style":26},"cbe4c32a54d9",[54],{"_key":55,"_type":22,"marks":56,"text":57},"53d16c860c200",[],"\nEin umfangreicher Katalog (380 Seiten, Hatje Cantz Verlag) ist zum Preis von 39 Euro im Museumsshop oder über www.freunde-der-kunsthalle.de zum Buchhandelspreis von 54 Euro erhältlich. In der App der Hamburger Kunsthalle stehen Audiotouren für Erwachsene (deutsch und englisch) sowie für Kinder und Jugendliche ab 8 Jahren (deutsch) zur Verfügung. Eine Animation in der Ausstellung sowie ein Kurzfilm stellen William Blake in den Kontext seiner Zeit. Zusätzlich schildert eine Begleitpublikation in Form einer Graphic Novel (deutsch und englisch \u002F kostenlos für die Besucher*innen zum Mitnehmen) von Noëlle Kröger das Leben William Blakes.\n\n",[],{"_key":60,"_type":18,"children":61,"markDefs":66,"style":26},"b0f2e22cf429",[62],{"_key":63,"_type":22,"marks":64,"text":65},"97ec4223a78b0",[],"Die Ausstellung knüpft an den Ausstellungszyklus »Kunst um 1800« des ehemaligen Hamburger Kunsthallendirektors Werner Hofmann an, in dem Blakes Werk 1975 erstmals in Deutschland präsentiert wurde.",[],{"_key":68,"_type":18,"children":69,"markDefs":74,"style":26},"97c55a4582ec",[70],{"_key":71,"_type":22,"marks":72,"text":73},"6b3ed0599b320",[],"Gefördert von: Freunde der Kunsthalle e. V, Hubertus-Wald-Stiftung, Philipp Otto Runge Stiftung, Wolfgang Ratjen Stiftung und Tavolozza Foundation",[],{"_key":76,"_type":18,"children":77,"markDefs":82,"style":26},"302e683ee578",[78],{"_key":79,"_type":22,"marks":80,"text":81},"963253a623030",[],"In Kooperation mit dem Fitzwilliam Museum, Cambridge",[],{"_key":84,"_type":18,"children":85,"markDefs":91,"style":26},"b3ba18a6f257",[86],{"_key":87,"_type":22,"marks":88,"text":90},"5364af7e56b5",[89],"7f31629f86de","mehr zur Ausstellung",[92],{"_key":89,"_type":93,"blank":94,"href":95,"linkType":93,"title":95},"linkExternal",true,"https:\u002F\u002Fwww.hamburger-kunsthalle.de\u002Fausstellungen\u002Fwilliam-blakes-universum",{"_key":97,"_type":13,"language":98,"value":99},"kIBrRX1AqBVTsyd9yLWYMW","en",[100,108,116,124],{"_key":101,"_type":18,"children":102,"markDefs":107,"style":26},"3040136e4adc",[103],{"_key":104,"_type":22,"marks":105,"text":106},"5497fc4446010",[],"In the summer of 2024, the Hamburger Kunsthalle will present the astonishing oeuvre of the English draughtsman and graphic artist William Blake (1757-1827), produced in the years around 1800 against the backdrop of revolution and war in Europe, slavery in the European colonies, and oppression in his native Great Britain. Blake’s works express his critique of his world while at the same time conjuring a vision of universal redemption. Both his mystical imagery and grim literary works continue to be emulated even in today’s pop culture. However, his work is still little known outside of England. This exhibition will be the first public showing of the entire Blake collection of the Fitzwilliam Museum in Cambridge together with the bequest of the well-known Blake collector Geoffrey Keynes. Even though he never left Great Britain, Blake was evidently a genuine European, a quality that comes to light by juxtaposing his works with those of selected European contemporaries, making for a show comprising some 120 exhibits.",[],{"_key":109,"_type":18,"children":110,"markDefs":115,"style":26},"7a593e3a1e9d",[111],{"_key":112,"_type":22,"marks":113,"text":114},"4e4346a85a5f0",[],"Definitive aspects of Blake’s art resulting from his training at the Royal Academy of Arts in London are illustrated here, along with his engagement with antiquity and the Renaissance and his enthusiasm for the mystical imagery of the early modern period. The exhibition furthermore compares Blake’s work to that of other artists who, in the face of devastating political crises, turned to visual art to rebuild the world, for example the Romantic artist Philipp Otto Runge (1777–1810), who likewise strove to visualise the spiritual renewal of humanity in a novel artistic form. Blake’s depictions of the soul’s journey from the fall of man to redemption are also contrasted with works by contemporaries such as his younger compatriot Samuel Palmer (1805–1881) and also Caspar David Friedrich (1774–1840) in order to demonstrate the artistic tensions between personal, national and universal liberation around 1800.\n\nThe show is a first-time collaboration between the Hamburger Kunsthalle and the Fitzwilliam Museum, University of Cambridge. After nearly 50 years have passed, it follows on from the cycle “Art around 1800” conceived by former Kunsthalle director Werner Hofmann, in which Blake’s work was presented for the first and last time in Germany in 1975.",[],{"_key":117,"_type":18,"children":118,"markDefs":123,"style":26},"2218a1576ca3",[119],{"_key":120,"_type":22,"marks":121,"text":122},"6d885ef7568a0",[],"Supported by: Freunde der Kunsthalle e. V, Hubertus-Wald-Stiftung, Philipp Otto Runge Stiftung, Wolfgang Ratjen Stiftung and Tavolozza Foundation",[],{"_key":125,"_type":18,"children":126,"markDefs":132,"style":26},"e5d3f20b32dc",[127],{"_key":128,"_type":22,"marks":129,"text":131},"5e0973d3815c",[130],"9cd71b7c6b00","more",[133],{"_key":130,"_type":93,"blank":94,"href":134,"linkType":93,"title":134},"https:\u002F\u002Fwww.hamburger-kunsthalle.de\u002Fen\u002Fexhibitions\u002Fwilliam-blakes-universe",{"end":136,"start":137},"2024-09-08","2024-06-14",{"headline":139,"items":144},[140,142],{"_key":98,"language":98,"value":141},"Exhibitions",{"_key":14,"language":14,"value":143},"Aktuelle Ausstellungen",[145,329],{"_createdAt":146,"_id":147,"_rev":148,"_type":8,"_updatedAt":9,"content":149,"date":260,"route":263,"slug":264,"thumbnail":265,"title":320,"titleEn":321,"venue":322},"2026-04-24T08:59:13Z","cfd96720-0ad7-4537-8e36-f0b5a91ad81d","B18k2Qgd9WjLuzv1THxDPF",[150,209],{"_key":151,"_type":13,"language":14,"value":152},"B18k2Qgd9WjLuzv1THxFFi",[153,161,169,201],{"_key":154,"_type":18,"children":155,"markDefs":160,"style":26},"26a17b729eec",[156],{"_key":157,"_type":22,"marks":158,"text":159},"bf488d69aedc",[],"Mit »SKULPTURAL. Die neuen Galerien« präsentiert die Hamburger Kunsthalle erstmals umfassend ihre Skulpturensammlung und das in einer medien- und epochenübergreifenden Schau: Auf 1.500 m² entfaltet sich ein Parcours mit fast 1.000 großen und kleinen Skulpturen, Reliefs, Gemälden, Grafiken, Fotografien, Raum- und Videoinstallationen aus 2.500 Jahren Bildgeschichte in überraschenden Gegenüberstellungen – von der Antike bis zur Gegenwart, von der zweiten zur dritten Dimension, von Miniatur bis monumental. ",[],{"_key":162,"_type":18,"children":163,"markDefs":168,"style":26},"8ff22cf016c8",[164],{"_key":165,"_type":22,"marks":166,"text":167},"d1491ad73789",[],"Ein besonderer Fokus gilt dem neu entdeckten Sammlungsschatz: den Kleinstskulpturen – »sculptures en miniature«, wie sie der erste Direktor Alfred Lichtwark nannte. Rund 650 Spitzenwerke der Münz-, Medaillen- und Reliefkunst aus Gold, Silber und Bronze sind Teil der Schau. Diese Neuentdeckungen begegnen Meisterwerken aller Medien, so den überlebensgroßen Plastiken von Auguste Rodin oder Aristide Maillol, den Reliefs von Käthe Kollwitz oder Skulpturen von Elena Luksch-Makovsky. Antike Porträts treten in Dialog mit zeitgenössischer Fotografie, Tierplastiken von Edgar Degas begegnen zeitgenössischen Videoarbeiten, klassizistische Idealfiguren treffen auf Körperabgüssen der Pop-Art. Diese Begegnungen finden in modernisierten und umfassend gestalteten neuen Skulpturengalerien statt.",[],{"_key":170,"_type":18,"children":171,"markDefs":194,"style":26},"45d4ff840e67",[172,176,181,185,190],{"_key":173,"_type":22,"marks":174,"text":175},"750802e6a5c4",[],"Die Präsentation baut auf dem Forschungsprojekt »",{"_key":177,"_type":22,"marks":178,"text":180},"e59c793985ae",[179],"4c2957ae72ef","Von der zweiten zur dritten Dimension",{"_key":182,"_type":22,"marks":183,"text":184},"0524cb1752e7",[],"« auf, in dem rund 6.000 Münzen, Medaillen und Plaketten erstmals gesichtet, restauriert, digitalisiert und in ihren Kontexten erforscht werden. Damit wird der Bestand der Skulpturensammlung der Hamburger Kunsthalle um eine Vielzahl von Objekten von der Antike bis in die Moderne ergänzt. Zur Eröffnung werden erstmals ausgewählte Münzen, Medaillen und Plaketten über die ",{"_key":186,"_type":22,"marks":187,"text":189},"177dc2566ebe",[188],"e0a5d16c7339","Sammlung Online",{"_key":191,"_type":22,"marks":192,"text":193},"2369bfecd674",[]," der Kunsthalle und im Portal ikmk (Interaktive Kataloge der Münzkabinette) öffentlich zugänglich.",[195,199],{"_key":179,"_type":196,"reference":197},"linkInternal",{"_ref":147,"_type":198},"reference",{"_key":188,"_type":196,"reference":200},{"_ref":147,"_type":198},{"_key":202,"_type":18,"children":203,"markDefs":208,"style":26},"ad9ffba8f720",[204],{"_key":205,"_type":22,"marks":206,"text":207},"f210809f6709",[],"Ermöglicht werden Erforschung und Präsentation durch die Dorit & Alexander Otto Stiftung, die erneut als maßgebliche Förderin wirkt. Zu den weiteren Kooperationspartner*innen zählen u. a. das Musée d’Orsay, Paris, die Universität Hamburg und die Staatlichen Museen zu Berlin.",[],{"_key":210,"_type":13,"language":98,"value":211},"B18k2Qgd9WjLuzv1THxFI9",[212,225,233,252],{"_key":213,"_type":18,"children":214,"markDefs":224,"style":26},"be04992a93c1",[215,220],{"_key":216,"_type":22,"marks":217,"text":219},"70ba36715fac",[218],"em","SCULPTURAL. The New Galleries",{"_key":221,"_type":22,"marks":222,"text":223},"a7374bf268b1",[]," is the first-ever large-scale presentation of the Hamburger Kunsthalle’s sculpture collection, spanning multiple media and periods. Across an area of 1,500 square metres, over 500 sculptures, reliefs, paintings, works on paper and photographs as well as spatial and video installations from 2,500 years of art history will prompt some surprising comparisons – antiquity versus the present day, two versus three dimensions, miniature versus monumental.",[],{"_key":226,"_type":18,"children":227,"markDefs":232,"style":26},"4ba17bce41e7",[228],{"_key":229,"_type":22,"marks":230,"text":231},"e0aee8787ce8",[],"A special focus is the museum’s recently uncovered trove of »sculptures en miniature«, as the first director, Alfred Lichtwark, called these tours de force of numismatic art in the form of coins, medals and sculptural reliefs in gold, silver and bronze. These new discoveries will be exhibited alongside masterpieces in multiple media, such as larger-than-life sculptures by Auguste Rodin and Aristide Maillol, while antique portraits enter into a dialogue with contemporary photography, and reliefs by Käthe Kollwitz with body casts from the 1960s and video works by Marina Abramović and others.",[],{"_key":234,"_type":18,"children":235,"markDefs":249,"style":26},"8da3b6ad4347",[236,240,245],{"_key":237,"_type":22,"marks":238,"text":239},"a90196133f62",[],"The presentation developed out of the research project ",{"_key":241,"_type":22,"marks":242,"text":244},"4da86dac8864",[243],"7b7cb84da758","»From the second to the third dimension",{"_key":246,"_type":22,"marks":247,"text":248},"5dadda31f4f5",[],"«, for which around 6,000 coins, medals and plaques are for the first time being reviewed, restored, digitised and researched in their respective contexts. The first objects will be published online in April 2026.",[250],{"_key":243,"_type":196,"reference":251},{"_ref":147,"_type":198},{"_key":253,"_type":18,"children":254,"markDefs":259,"style":26},"7373e4697f45",[255],{"_key":256,"_type":22,"marks":257,"text":258},"b61780488095",[],"The research and presentation are made possible by the Dorit & Alexander Otto Foundation, which is once again acting as a major sponsor.\nOther cooperation partners include the University of Hamburg, the Staatliche Museen zu Berlin and the Musée d’Orsay, Paris.",[],{"end":261,"start":262},"2027-04-11","2026-04-24","haeuser-slug-ausstellungen-exhibitionslug","skulptural-die-neuen-galerien",{"_type":266,"alt":267,"asset":268},"image","Pablo Picasso (1881–1973), Die Eule, 1952, 12.12., © Succession Picasso \u002F VG Bild-Kunst, Bonn 2026 © Hamburger Kunsthalle \u002F ARTOTHEK, Foto: Elke Walford",{"_createdAt":269,"_id":270,"_rev":271,"_type":272,"_updatedAt":273,"altText":267,"assetId":274,"creditLine":275,"description":276,"extension":277,"metadata":278,"mimeType":312,"opt":313,"originalFilename":315,"path":316,"sha1hash":274,"size":317,"title":267,"uploadId":318,"url":319},"2026-04-24T09:11:26Z","image-a7746aff7322cf270ac1008cad71c518f45dff8a-2501x1700-jpg","mtUM9sqhoVPHNJvCHc9uHl","sanity.imageAsset","2026-09-09T08:09:08Z","a7746aff7322cf270ac1008cad71c518f45dff8a",null,"Pablo Picasso (1881–1973),\nDie Eule, 1952, 12.12.,\nGebrannter Ton, bemalt, 34 x 25 x 34,5 cm,\nHamburger Kunsthalle, erworben 1956\n© Succession Picasso \u002F VG Bild-Kunst, Bonn 2026\n© Hamburger Kunsthalle \u002F ARTOTHEK,\nFoto: Elke Walford","jpg",{"_type":279,"blurHash":280,"dimensions":281,"hasAlpha":286,"isOpaque":94,"lqip":287,"palette":288,"thumbHash":311},"sanity.imageMetadata","VCF?ka?vJ=IUaJo~ROoIS6M|?wxvRPW=t8E0M_s+t6of",{"_type":282,"aspectRatio":283,"height":284,"width":285},"sanity.imageDimensions",1.4711764705882353,1700,2501,false,"data:image\u002Fjpeg;base64,\u002F9j\u002F2wBDAAYEBQYFBAYGBQYHBwYIChAKCgkJChQODwwQFxQYGBcUFhYaHSUfGhsjHBYWICwgIyYnKSopGR8tMC0oMCUoKSj\u002F2wBDAQcHBwoIChMKChMoGhYaKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCj\u002FwAARCAAOABQDASIAAhEBAxEB\u002F8QAGAAAAwEBAAAAAAAAAAAAAAAAAAUGAQP\u002FxAAhEAABBAEEAwEAAAAAAAAAAAABAAIDEQQFEiFRBhNBYf\u002FEABUBAQEAAAAAAAAAAAAAAAAAAAME\u002F8QAGBEBAAMBAAAAAAAAAAAAAAAAAQACESH\u002F2gAMAwEAAhEDEQA\u002FAKKLKiY5xnBc2jVdpTBqgkkcx4p24gV1+qoPjW02cgkD5SQ61o0WIZMrHNO4tpPBVF1qjJqmnZnuHaFxgxpZIg4uaCfgQk2Hk\u002F\u002FZ",{"_type":289,"darkMuted":290,"darkVibrant":295,"dominant":298,"lightMuted":301,"lightVibrant":305,"muted":308,"vibrant":309},"sanity.imagePalette",{"_type":291,"background":292,"foreground":293,"population":294,"title":293},"sanity.imagePaletteSwatch","#44433e","#fff",0.32,{"_type":291,"background":296,"foreground":293,"population":297,"title":293},"#2a3c5a",0,{"_type":291,"background":299,"foreground":293,"population":300,"title":293},"#748b96",8.16,{"_type":291,"background":302,"foreground":303,"population":304,"title":293},"#9cb4c2","#000",0.02,{"_type":291,"background":306,"foreground":303,"population":307,"title":293},"#b4c3dc",4.64,{"_type":291,"background":299,"foreground":293,"population":300,"title":293},{"_type":291,"background":310,"foreground":293,"population":297,"title":293},"#5173ad","ZNcFDYKtZJhYiIafhUmGmQaVdWBp","image\u002Fjpeg",{"media":314},{"tags":275},"Picasso_Eule_1952.jpg","images\u002Frd9dr4tt\u002Fproduction\u002Fa7746aff7322cf270ac1008cad71c518f45dff8a-2501x1700.jpg",1935217,"JvrQtAn5WbvagkNelWE9ktRymfKcvPyu","https:\u002F\u002Fcdn.sanity.io\u002Fimages\u002Frd9dr4tt\u002Fproduction\u002Fa7746aff7322cf270ac1008cad71c518f45dff8a-2501x1700.jpg","Skulptural. Die neuen Galerien","Sculptural. The New Galleries",{"note":323,"slug":327,"title":328},[324],{"_key":325,"_type":326,"language":14},"7535a5c62e28a906faf181d34449711e","internationalizedArrayStringValue","hamburger-kunsthalle","Hamburger Kunsthalle",{"_createdAt":330,"_id":331,"_rev":332,"_system":333,"_type":8,"_updatedAt":336,"content":337,"date":374,"route":263,"slug":377,"thumbnail":378,"title":430,"titleEn":431,"venue":432},"2026-09-09T08:12:35Z","b37d74f8-5768-4535-affc-0f449e27e62d","3lNU9VFVDHWiS83qYagOyR",{"base":334},{"id":331,"rev":335},"3lNU9VFVDHWiS83qYaS4A7","2026-09-09T08:48:10Z",[338,356],{"_key":339,"_type":13,"language":14,"value":340},"c4a096fa257e5d0f224db41d95ee1d3d",[341],{"_key":342,"_type":18,"children":343,"markDefs":353,"style":26},"ba7ad7f21e13",[344,348],{"_key":345,"_type":22,"marks":346,"text":347},"62de8f5e27c0",[],"Mit THIS IS THE MODERN WORLD. Durchbrüche in der Kunst 1900–1960 zeigt die Hamburger Kunsthalle eine Neuinterpretation ihrer Sammlung Moderne, die zu den bedeutendsten Sammlungen moderner Kunst in Deutschland zählt. Anhand von über 150 ausgewählten Gemälden, Skulpturen, Grafiken und Zeichnungen – darunter bekannte Highlights und besondere Neuzugänge – verdeutlicht die Präsentation die Fülle an neuen Ideen und Ansätzen sowie den Bruch mit bestehenden Traditionen in der Kunst dieser sechs Dekaden, die von außergewöhnlichen Umwälzungen in Kultur und Gesellschaft geprägt war.\n\n",{"_key":349,"_type":22,"marks":350,"text":352},"e39ac1826148",[351],"4b0f60c7ec02","Mehr Informationen",[354],{"_key":351,"_type":93,"blank":94,"href":355},"https:\u002F\u002Fwww.hamburger-kunsthalle.de\u002Fde\u002Fausstellungen\u002Fmodern-world",{"_key":357,"_type":13,"language":98,"value":358},"f91ea48ebbb8101b03120a4ad4790a5a",[359],{"_key":360,"_type":18,"children":361,"markDefs":371,"style":26},"a66b7ea30b51",[362,366],{"_key":363,"_type":22,"marks":364,"text":365},"2dab41c18680",[],"THIS IS THE MODERN WORLD. Breakthroughs in Art 1900–1960 is a reinterpretation of the modern art holdings, which, with over 3,000 paintings, sculptures, prints and drawings, ranks among the most significant in Germany. 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