On Loss and Change
07.02.20 – 02.08.20
Experiences of loss, grief and change harbour a disturbing potential that is difficult to put into words and nearly impossible to depict. The exhibition brings together contemporary international artworks that revolve around these phenomena. Whether the loss of a loved one through separation or death, departing from cherished ideals and visions, or being deprived of one’s home and familiar surroundings – we all have to grapple with painful incidences of disappointment, failure and irreversible change at some point in our lives. Although these experiences affect each of us differently, the way we cope with, describe and assess them also depends to a great extent on our cultural, social and political environment.
How do artists today picture leave-taking, grief, loss and change? What role is played by traditional formulas for expressing pathos and by universally legible symbols? And what does the way we deal with grief tell us about our present-day world?
In the pictures, sculptures, videos, photographs, installations, slide projections and sound pieces presented, some 30 international artists from 15 countries engage with the theme of loss as a distressing experience of existential uncertainty that irrevocably changes the course of events. The complexity of the theme is illustrated in chapters such as »Melancholy and Mourning«, »Grief and Gender«, »Collective Grief«, »Mourning and Rebellion«, »Forms of Leave-Taking«, and »The Inability to Grieve«.
A new sound piece produced by Turner Prize winner Susan Philipsz especially for the show revives the old mourning tradition of keening in the atrium of the Gallery of Contemporary Art. The Japanese artist Seiichi Furuya interweaves in his work his own personal experience of loss (his wife’s suicide) with the swan song of a political regime (the GDR). In some of her lesser-known but no less impressive paintings, the internationally acclaimed artist Maria Lassnig’s loss of her mother occasions an overall atmosphere of uncertainty and a questioning of her own abilities as an artist. Bas Jan Ader raises questions in his film »I’m too sad to tell you« (1970/71) about private versus public, convention and embarrassment, and about the limits of language and representability. Anne Collier’s arresting large-format photographs, based on comics from the 1950s and 60s, show how the image of a beautiful young woman crying is exploited to create a cool-eyed media convention and gender-specific stereotype.
The exhibition traces a broad arc from the miniature coffins crafted by Kudjoe Affuto from Ghana to Andy Warhol’s iconic portrait of »Jackie« (1964). The rigorous and yet lyrical typographic works of Helen Cammock, nominated for this year’s Turner Prize, make their German debut in the show. A series of reworked photographs of scenes from the Syrian War by artist Khaled Barakeh takes up the centuries-old motif of the Pietà in a manner that is chillingly topical.
With their wide variety of voices, the artworks assembled here convey an idea of the manifold forms mourning can take. At the same time, it becomes evident that mourning is a politically significant act from which conclusions can be drawn about social conditions and imbalances. In view of the differential distribution of public grief, the American philosopher Judith Butler once posed the justified and vital question of »whose lives are to be regarded as grievable, as worthy of protection, as belonging to subjects with rights that ought to be honored?« (2009) She went on to say: »I think that an entirely different politics would emerge if a community could learn to abide with its losses and its vulnerability.«
Following Fail Better (2013) and Waiting: Between Power and Possibility (2017), Mourning: On Loss and Change (2020) is the third show in a series curated by Brigitte Kölle at the Hamburger Kunsthalle that deals with taboos and borderline themes.
Featured artists: Bas Jan Ader, Kudjoe Affutu, Khaled Barakeh, Christian Boltanski, Helen Cammock, Anne Collier, Johannes Esper, Sibylle Fendt, Seiichi Furuya, Paul Fusco, Felix Gonzalez-Torres, Aslan Ġoisum, Ragnar Kjartansson, Maria Lassnig, Jennifer Loeber, Ataa Oko, Adrian Paci, Philippe Parreno, Susan Philipsz, Greta Rauer, Willem de Rooij, Michael Sailstorfer, Thomas Schütte, Dread Scott, Rein Jelle Terpstra, Rosemarie Trockel, Tilman Walther, Andy Warhol.
The exhibition will be accompanied by an extensive programme of events including artist talks, lectures, readings, guided tours and music evenings.
Sponsored by: ZEIT-Stiftung Ebelin und Gerd Bucerius, Körber-Stiftung, Rudolf Augstein Stiftung, Stiftung Deutsche Bestattungskultur, Philipp Otto Runge Stiftung, Ministry of Culture and Media Hamburg
Image 1: Anne Collier, Woman Crying (Comic) #8, 2019, Courtesy of the artist; Anton Kern Gallery, New York; Galerie Neu, Berlin; Gladstone Gallery, Brussels; and The Modern Institute / Toby Webster Ltd., Glasgow © Anne Collier
Image 2: Maria Lassnig, Balken im Auge / Trauernde Hände, 1964, © Maria Lassnig Stiftung / VG Bild-Kunst, Bonn 2020
Image 3:Andy Warhol, Jackie, 1964, Wolverhampton Art Gallery, © 2019 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York