[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"sanity-h9hf9v-{\"slug\":\"in-her-hands-bildhauerinnen-des-surrealismus\"}":3},{"_createdAt":4,"_id":5,"_rev":6,"_translations":7,"_type":8,"_updatedAt":9,"content":10,"date":134,"exhibitions":137,"seo":285,"slug":294,"thumbnail":297,"title":29,"titleEn":332,"venue":333},"2024-12-10T14:40:12Z","07ed0a09-d3be-4ff5-886e-948a695c7f2b","B18k2Qgd9WjLuzv1THxDPF",[],"exhibition","2026-06-29T10:13:44Z",[11,75],{"_key":12,"_type":13,"language":14,"value":15},"B18k2Qgd9WjLuzv1THxE4e","internationalizedArrayRichTextMediaValue","de",[16,36,44,59,67],{"_key":17,"_type":18,"children":19,"markDefs":34,"style":35},"010758b2780b","block",[20,25,30],{"_key":21,"_type":22,"marks":23,"text":24},"48066e4948470","span",[],"Die Ausstellung ",{"_key":26,"_type":22,"marks":27,"text":29},"48066e4948471",[28],"em","In Her Hands. Bildhauerinnen des Surrealismus",{"_key":31,"_type":22,"marks":32,"text":33},"48066e4948472",[]," feiert die Wiederentdeckung dreier außergewöhnlicher Künstlerinnen der Moderne: Sonja Ferlov Mancoba, Maria Martins und Isabelle Waldberg waren – jede auf ihre Weise – Protagonistinnen der internationalen Kunstbewegung des Surrealismus zwischen 1930 und 1960. In der Ausstellung werden erstmals Skulpturen dieser drei Bildhauerinnen einander gegenübergestellt und in ihrer raumgreifenden Präsenz erlebbar gemacht.",[],"normal",{"_key":37,"_type":18,"children":38,"markDefs":43,"style":35},"ba2776679c81",[39],{"_key":40,"_type":22,"marks":41,"text":42},"02fb182e3c7c0",[],"Zwischen Paris, Kopenhagen und New York waren Mancoba, Martins und Waldberg Teil der internationalen Kunstszene und entwickelten die surrealistische Bildsprache innovativ, unkonventionell und entschieden weiter. Die charakteristische organische Formensprache der Dänin Sonja Ferlov Mancoba (1911–1984) war stark beeinflusst von außereuropäischer Kunst, aber auch von der Künstler:innengruppe CoBrA. Intuitiv schuf sie semiabstrakte Wesen, Kriegerfiguren und Masken aus Ton und Gips. Die brasilianische Bildhauerin Maria Martins (1894–1973) verwob in ihren organisch-figuralen Objekten die Mythen Amazoniens mit der Formensprache der Moderne. Isabelle Waldbergs (1911–1990) facettenreiches Œuvre reicht von filigranen linearen Holzstrukturen über abstrakte Bronzeskulpturen bis hin zu Collagen. Die drei Bildhauerinnen waren Teil der internationalen Avantgarde im Paris der Jahre vor dem Zweiten Weltkrieg, Martins und Waldberg außerdem zentrale Figuren im New York der Kriegsjahre. Sie gehörten zum Kreis um Marcel Duchamp, Alberto Giacometti, Piet Mondrian und Peggy Guggenheim.",[],{"_key":45,"_type":18,"children":46,"markDefs":58,"style":35},"8900ca906ef7",[47,50,54],{"_key":48,"_type":22,"marks":49,"text":24},"c47d270cf0c60",[],{"_key":51,"_type":22,"marks":52,"text":53},"c47d270cf0c61",[28],"In Her Hands",{"_key":55,"_type":22,"marks":56,"text":57},"c47d270cf0c62",[]," setzt erstmals die künstlerischen Anliegen und die oft unkonventionelle Formensprache der drei Bildhauerinnen in Beziehung zueinander. Dabei rückt sie das Material in den Mittelpunkt, das für alle drei im kreativen Prozess von großer Bedeutung war. Ihre intensive sinnliche wie geistige Auseinandersetzung mit den Werkstoffen spiegelt sich in der Gestaltung von Linien, Volumina, Räumen und Ausdrucksgesten ihrer Objekte wider. Die skulpturalen Ensembles lassen die Betrachtenden unmittelbar in die Bildwelten der Künstlerinnen eintauchen, in denen überraschende Verbindungen zur Ästhetik heutiger Formen in Popkultur, Design und Film zu entdecken sind.",[],{"_key":60,"_type":18,"children":61,"markDefs":66,"style":35},"16882530dc62",[62],{"_key":63,"_type":22,"marks":64,"text":65},"c045415494fd0",[],"Darüber hinaus orientiert sich die Ausstellungsgestaltung der Schau an der Inszenierungsweise, welche auch zu Lebzeiten der Künstlerinnen für Ausstellungen ihrer Werke gewählt wurden: Zum ersten Mal eröffnet sich den Besucher:innen ein ganz neues Raumerlebnis im Bucerius Kunst Forum, da die Fenster unverbaut bleiben, sodass Tageslicht den Raum durchflutet; statt Wände strukturieren Vorhänge die Präsentation.",[],{"_key":68,"_type":18,"children":69,"markDefs":74,"style":35},"d553570c6724",[70],{"_key":71,"_type":22,"marks":72,"text":73},"ba7b6e10eb6b0",[],"Die zahlreichen innovativen Malerinnen des anfänglich von Männern dominierten Surrealismus sind erst in jüngster Zeit in ihrer Bedeutung erkannt und ausgestellt worden. Das Bucerius Kunst Forum präsentiert nun drei originäre weibliche Positionen der surrealistischen Bildhauerei.",[],{"_key":76,"_type":13,"language":77,"value":78},"B18k2Qgd9WjLuzv1THxE75","en",[79,95,110,118,126],{"_key":80,"_type":18,"children":81,"markDefs":94,"style":35},"032c926b23fc",[82,86,90],{"_key":83,"_type":22,"marks":84,"text":85},"49d12f3617760",[],"The exhibition ",{"_key":87,"_type":22,"marks":88,"text":89},"49d12f3617761",[28],"In Her Hands. Women Sculptors of Surrealism",{"_key":91,"_type":22,"marks":92,"text":93},"49d12f3617762",[]," celebrates the rediscovery of three extraordinary 20th century artists: Sonja Ferlov Mancoba, Maria Martins, and Isabelle Waldberg were, each in their own way, key figures in the international Surrealist art movement between 1930 and 1960. For the first time, this exhibition brings together sculptures by these three artists, presenting them in dialogue with one another and showcasing their expansive spatial presence. ",[],{"_key":96,"_type":18,"children":97,"markDefs":109,"style":35},"1eb6b2df8dba",[98,102,105],{"_key":99,"_type":22,"marks":100,"text":101},"87037042e5b50",[],"The three female artists exhibited in ",{"_key":103,"_type":22,"marks":104,"text":53},"87037042e5b51",[28],{"_key":106,"_type":22,"marks":107,"text":108},"87037042e5b52",[]," were part of the international art scene from Paris and Copenhagen to New York and São Paulo and developed the surrealist visual language innovatively, unconventionally and resolutely. The characteristic organic formal language of the Danish artist Sonja Ferlov Mancoba (1911-1984) was strongly influenced by non-European art, but also by the CoBrA group of artists. She intuitively created semi-abstract creatures, warrior figures and masks in clay and plaster, later also in bronze. The Brazilian sculptor Maria Martins (1894-1973) interwove the myths of Amazonia with the formal language of modernism in her organic, figurative objects. Isabelle Waldberg's (1911-1990) multifaceted oeuvre ranges from filigree linear wooden structures to abstract bronze sculptures and collages. The three sculptors were part of the international avant-garde in Paris before the Second World War; Martins and Waldberg were also central figures in New York during the war years. They belonged to the circle around Marcel Duchamp, Alberto Giacometti, Piet Mondrian and Peggy Guggenheim. ",[],{"_key":111,"_type":18,"children":112,"markDefs":117,"style":35},"a3357eae3b54",[113],{"_key":114,"_type":22,"marks":115,"text":116},"46481b069d3f0",[],"For the first time, the exhibition places the artistic concerns and the often unconventional formal language of the three sculptors in relation to each other. At the same time, it focuses on the material, which was of great importance to all three in the creative process. Their intensive, sensual and intellectual exploration of the materials is reflected in the design of the lines, volumes, spaces and expressive gestures of their objects. The sculptural ensembles allow viewers to immerse themselves directly in the visual worlds of the artists, in which surprising connections to the aesthetics of contemporary forms in pop culture, design and film can be discovered.",[],{"_key":119,"_type":18,"children":120,"markDefs":125,"style":35},"749a3befcaba",[121],{"_key":122,"_type":22,"marks":123,"text":124},"85ee1ce855470",[],"In addition, the exhibition design draws inspiration from the staging methods used during the artists' lifetimes to display their works. For the first time, visitors to the Bucerius Kunst Forum can experience a completely new sense of space, as the windows are left unobstructed, allowing daylight to flood the room. Instead of walls, curtains are used to structure the presentation.",[],{"_key":127,"_type":18,"children":128,"markDefs":133,"style":35},"b4ce41dc89af",[129],{"_key":130,"_type":22,"marks":131,"text":132},"1a474b8269730",[],"The numerous innovative female painters of Surrealism, a movement initially dominated by men, have only recently been recognised and exhibited for their significance. 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Gundlach wurde mit seinen Modefotografien berühmt und durch seine vielfältigen Allianzen zu einer Schlüsselfigur der Fotogeschichte. Zum 100. Geburtstag zeigt das Bucerius Kunst Forum seine ikonischen Fotografien, aber auch bisher unveröffentlichte Aufnahmen sowie noch nie gezeigte Farbabzüge.",[],{"_key":163,"_type":18,"children":164,"markDefs":169,"style":35},"f70f52f472d2",[165],{"_key":166,"_type":22,"marks":167,"text":168},"9ff243f15368",[],"Die Ausstellung macht Gundlachs internationalen Einfluss als Fotograf, Sammler und Förderer der Fotografie von Paris über New York und Brasília bis Hamburg deutlich. Zu sehen sind neben seinen eigenen Fotografien auch zahlreiche Werke von Vorbildern, Weggefährt:innen und Nachfolger:innen wie Edward Steichen, Richard Avedon und Nan Goldin. Im Dialog mit seinen eigenen Arbeiten werden gleichermaßen die Liebe zum Medium, wechselseitige Einflüsse, gesellschaftliche Diskurse und Machtverhältnisse sichtbar.",[],{"_key":171,"_type":18,"children":172,"markDefs":177,"style":35},"8d162de5971c",[173],{"_key":174,"_type":22,"marks":175,"text":176},"ac8a70b7910b",[],"Eine Ausstellung im Rahmen der 9. Triennale der Photographie Hamburg 2026.",[],{"_key":179,"_type":18,"children":180,"markDefs":185,"style":35},"7c3e5150f28f",[181],{"_key":182,"_type":22,"marks":183,"text":184},"60123e77900f",[],"Eine Ausstellung des Bucerius Kunst Forums und der Stiftung F.C. Gundlach.",[],{"_key":187,"_type":188,"blank":189,"options":190,"text":194,"url":195},"aca0cc0ccce9","module.button",true,{"align":191,"fullWidth":192,"size":193},"text-left",false,"S","Mehr Informationen","https:\u002F\u002Fwww.buceriuskunstforum.de\u002Fausstellungen\u002Ffc-gundlach-youll-never-watch-alone",{"_key":197,"_type":13,"language":77,"value":198},"B18k2Qgd9WjLuzv1THxGu0",[199,207,215],{"_key":200,"_type":18,"children":201,"markDefs":206,"style":35},"8ad7b7198d39",[202],{"_key":203,"_type":22,"marks":204,"text":205},"bcb1cdf0ea19",[],"F.C. Gundlach has become famous for his fashion photography and, through his diverse alliances, a key figure in the history of photography. On the occasion of his 100th birthday, the Bucerius Kunst Forum shows his iconic images, as well as previously unreleased prints and never-before-seen colour prints.\n\nThe exhibition highlights his international influence as a photographer, collector, and patron of photography from Paris to New York and Brasília to Hamburg. Alongside his own photographs, numerous works by his idols, contemporaries, and successors such as Edward Steichen, Richard Avedon, and Nan Goldin will be on display. 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